{"title":"Culture \u0026 Arts ","description":"Inspiring culture and arts books covering cinema, literature, painting, design, architecture, and archaeology.","products":[{"product_id":"sinemada-gazeteciler","title":"Sinemada Gazeteciler","description":"\u003cp\u003eCinema and journalism…\u003c\/p\u003e\n\u003cp\u003eTwo distinct media, two distinct storytellers. One constructs fictional worlds, the other weaves reality into narrative. Yet they frequently intersect: journalism critiques cinema, and cinema, in turn, brings journalism into the heart of its storytelling. Both create discourse and carry ideological weight. But at a certain point, one medium becomes far more effective than the other in building, altering, and reinforcing public perceptions.\u003c\/p\u003e\n\u003cp\u003eConsumers of news—whether reading or watching—often approach content with critical awareness. They recognize that they are engaging with a mediated text and are more attuned to the underlying discourse. This critical lens empowers them to question and even reject the intended message. Cinema, on the other hand, immerses the viewer in narrative, encouraging identification with characters. This emotional engagement lowers critical defenses, allowing embedded ideologies, archetypes, and myths to become lodged in the subconscious. Over time, repeated cinematic images take root and become normalized, leaving a deeper, more lasting impact. As Zynda points out, films have emerged as one of the most powerful tools in shaping public perception of the press.\u003c\/p\u003e\n\u003cp\u003eThis book investigates how cinema portrays journalism, the myths it constructs around it, and the ideological functions these portrayals serve. It traces the historical trajectory of American journalism films, analyzing narrative structures, archetypal characters, and the cultural myths they sustain. Yet the analysis extends beyond Hollywood: Turkish cinema—particularly the early Yeşilçam era—is examined for its portrayals of journalists, with special attention given to the depiction of female journalists.\u003c\/p\u003e\n\u003cp\u003eBy exploring the interplay between cinema and journalism within a broader cultural and ideological context, Journalists on Screen offers a critical lens on how journalism is imagined in popular media. It stands as a vital resource for students and scholars of media studies, journalism, film theory, and cultural criticism alike.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Mağazam","offers":[{"title":"Default Title","offer_id":43536548986927,"sku":"","price":250.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/5217\/7455\/files\/Sinemadagazeteciler_520x520_8c730692-5626-4dbd-bdf3-ab6a9f9ae813.png?v=1741252207"},{"product_id":"100-yilin-100-sinema-eseri","title":"100 Yılın 100 Sinema Eseri","description":"\u003cp\u003e100 Films of the Century, part of the five-volume 100 Works of the Century series—prepared as a modest cultural and artistic tribute to the 100th anniversary of the Republic of Türkiye—offers an in-depth look at the landmark works of Turkish cinema’s most influential figures.\u003c\/p\u003e\n\u003cp\u003eThrough the films of master directors, the volume presents a rich cinematic, sociological, and intellectual panorama of the Republic’s first century. Each featured film is introduced with a synopsis, original poster, and essential production details.\u003c\/p\u003e\n\u003cp\u003eThe book delves into the contributions and distinctive cinematic vision of Ahmet Uluçay, a contemplative and poetic voice in Turkish cinema. It also explores the global impact of Nuri Bilge Ceylan, who played a pioneering role in bringing Turkish cinema to international attention—often portraying rural life as both a source of existential anxiety and a symbol of escape.\u003c\/p\u003e\n\u003cp\u003eMetin Erksan’s unforgettable Dry Summer (Susuz Yaz), which won the Golden Bear at the Berlin Film Festival, holds a central place in this volume. Another pivotal figure is Muhsin Ertuğrul, whose groundbreaking works—including The Shirt of Flame (Ateşten Gömlek), considered the first major film of the Republican era, and The Carpet Weaver’s Girl (Halıcı Kız), Türkiye’s first color film—left an indelible mark on the nation’s cinematic heritage.\u003c\/p\u003e\n\u003cp\u003eThe volume also highlights seminal works by legendary directors such as Ömer Kavur and Semih Kaplanoğlu.\u003cbr data-mce-fragment=\"1\"\u003eThis curated selection of 100 films offers a wide-ranging reflection on the development of Turkish cinema over the past century and the lasting legacy of the auteurs who helped shape its voice.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Mağazam","offers":[{"title":"Default Title","offer_id":43537017372719,"sku":"","price":1600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/5217\/7455\/files\/100yilin100sinemaeseri_2400x1600_ed194eb9-7af2-4ca7-977b-951f886b4240.png?v=1741247415"},{"product_id":"100-yilin-100-sanat-eseri","title":"100 Yılın 100 Sanat Eseri","description":"\u003cp\u003eLooking back on art’s extraordinary journey through human history takes us tens of thousands of years into the past—to cave walls adorned with primitive paintings. Dated as far back as 40,000 BCE, these early works speak to art’s enduring role as a universal human language. And as science and archaeology advance, we may yet discover that this history reaches even further back in time.\u003c\/p\u003e\n\u003cp\u003eFor centuries, art in the Western world was largely devoted to the imitation of nature. But with the profound transformations of the 19th century, this notion began to shift. Artists turned toward originality and experimentation, breaking free of realism and ushering in new movements that expanded the technical, aesthetic, and thematic boundaries of art. In this new climate, inspiration flowed from a far broader cultural geography than ever before.\u003c\/p\u003e\n\u003cp\u003eThis evolution also unfolded in the Ottoman Empire, mirroring the broader cultural and social transformations of the period. Artists such as Osman Hamdi Bey, Şeker Ahmet Paşa, and Süleyman Seyyid—deeply influenced by Impressionism, Naturalism, and Realism during their time in Paris—pioneered a fresh artistic vision within Ottoman painting. In the early Republican era, sweeping reforms in art education and cultural institutions laid the groundwork for a modern artistic sensibility. Artists like İbrahim Çallı, Feyhaman Duran, and Fikret Mualla emerged as defining voices of this transformative period.\u003c\/p\u003e\n\u003cp\u003e100 Artworks of the Century is one of five volumes in the 100 Works of the Century series, prepared as a modest tribute to the Republic of Türkiye’s centennial. This volume opens with Hüseyin Avni Lifij’s luminous painting Ak Gün, celebrating the end of the Turkish War of Independence.\u003c\/p\u003e\n\u003cp\u003eThe selection features compelling works by masters such as Abidin Dino—known for his distinctive themes and visual language—and spans a rich spectrum of Turkish artistic production, from the ceramics of Alev Ebüzziya to the video installations of Kutluğ Ataman. It also includes celebrated, award-winning figures like Malik Aksel, Refik Anadol, and Sabri Berkel.\u003c\/p\u003e\n\u003cp\u003eBy the nature of its concept, the selection is intentionally limited to 100 artists whose works span disciplines including painting, sculpture, video art, and installation. Framed by an elegant and minimalist design, the volume offers an accessible yet meaningful journey through a century of Turkish artistic expression.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Mağazam","offers":[{"title":"Default Title","offer_id":43537019404335,"sku":"","price":1600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/5217\/7455\/files\/100yilin100sanateseri_520x520_73a78c67-362d-4950-b5aa-f1a5965206ca.png?v=1741247142"},{"product_id":"100-yilin-100-edebi-eseri","title":"100 Yılın 100 Edebî Eseri","description":"\u003cp\u003ePublished as a modest cultural tribute to the Republic of Türkiye’s centennial, this volume is part of the five-book 100 Works of the Century series. 100 Literary Works of the Century offers a sweeping panorama of the past hundred years, as seen through the lens of literature.\u003c\/p\u003e\n\u003cp\u003eShowcasing some of the most distinguished works in Turkish literature, the book highlights a single, defining piece from each of 100 influential authors. Accompanied by brief biographical sketches that underscore their literary significance, each entry also features a notable excerpt from the selected work, enriched with commentary from renowned critics.\u003c\/p\u003e\n\u003cp\u003eAmong the authors featured are:\u003cbr data-mce-fragment=\"1\"\u003e• Necip Fazıl Kısakürek, known as the “Poet of the Sidewalks,” author of Çile, the definitive collection of his poetry, curated and refined by the poet himself beginning with his first poem published in Yeni Mecmua in 1922.\u003cbr data-mce-fragment=\"1\"\u003e• Nâzım Hikmet, who captured the immensity of life in verses such as: “Neither good nor bad, neither beautiful nor ugly, neither right nor wrong; life is vast, immense, and endless.”\u003cbr data-mce-fragment=\"1\"\u003e• Peyami Safa, the master of Turkish detective fiction.\u003cbr data-mce-fragment=\"1\"\u003e• Ahmet Hamdi Tanpınar, the time-shaping literary voice behind The Time Regulation Institute.\u003cbr data-mce-fragment=\"1\"\u003e• Yaşar Kemal, repeatedly nominated for the Nobel Prize in Literature and widely acclaimed for İnce Memed.\u003cbr data-mce-fragment=\"1\"\u003e• Cahit Zarifoğlu, celebrated as the “beautiful soul” of Turkish poetry.\u003c\/p\u003e\n\u003cp\u003eWhether for longtime readers or newcomers to Turkish literature, this essential collection offers a compelling journey through the writers and works that have shaped a literary century.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Mağazam","offers":[{"title":"Default Title","offer_id":43537020780591,"sku":"","price":1600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/5217\/7455\/files\/100yilin100edebieseri_520x520_722871ea-2722-416b-be99-4a09f95202c8.png?v=1741336096"},{"product_id":"anlam-yaratmak","title":"Anlam Yaratmak","description":"\u003cp\u003eThis seminal work offers an in-depth analysis of the history of film criticism and how critics interpret cinema, while proposing an alternative program for film studies. David Bordwell constructs an anatomy of film criticism, aiming to reshape the agenda of film research. As such, Making Meaning stands as a pivotal work that will remain at the heart of future debates in film theory and interpretation.\u003c\/p\u003e\n\u003cp\u003eBordwell develops strategies for interpreting films and extracting meaning, illustrating his theoretical framework with numerous examples from Western film criticism. After defining the key terms and scope of his argument, he examines how critical theories tend to restrict practical engagement with texts, asserting that interpretation has become central to the humanities.\u003c\/p\u003e\n\u003cp\u003eThe book explores the development of film criticism in France, Britain, and the United States since World War II, focusing on two major, often contrasting, approaches to criticism. Bordwell reveals that these seemingly opposing traditions share significant common ground. 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Casebier skillfully adapts Husserl’s ideas to the domain of cinematic representation, offering readers a clear and powerful perspective on the intersection of phenomenology and film theory.\u003c\/p\u003e\n\u003cp\u003eThis work describes phenomenology as the artistic framework uniquely suited to twentieth-century cinema and serves as a counterpoint to existing theoretical models. Casebier explains how a phenomenological approach to representation can advance the objectives of any comprehensive film theory. He also engages with Derrida’s challenge of “deconstruction,” arguing that film theory must be realist in both epistemological and ontological terms.\u003c\/p\u003e\n\u003cp\u003eIn contrast to the dominant currents of contemporary film theory, Film and Phenomenology proposes a novel solution to the issue of representation in cinema. 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Located at Islam’s third-holiest site, this shrine serves as a bridge across time—linking the 7th century to the present through its enduring spiritual and architectural presence. Where history, religion, architecture, and ideology converge, the structure also stands as the earliest known domed monument in Islamic architecture.\u003c\/p\u003e\n\u003cp\u003eThis book explores the Dome of the Rock’s captivating story spanning over two millennia. It traces the monument’s long journey—from its rise on the site of the Second Jewish Temple in the 1st century BCE, through the Crusades and Jerusalem’s brief Christianization, to the multiple meanings it holds today for the Muslim, Christian, and Jewish worlds.\u003c\/p\u003e\n\u003cp\u003eRenowned art historian Oleg Grabar approaches the monument not merely as a historical structure but as a work of art in its own right. 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